The production of digital holographic images comes from several artistic areas such as photography, film and video, after being mixed, electronically manipulated and digitally synthesized, offering visual effects and additional important resources for the artistic creation of images, which are different from analogue holography¹.

In digital holograms, which more easily reproduce colours and movement², ³, one of the main aesthetic features is the time orchestrated by the viewer, that is, the movement that the viewer develops in front of the holographic plate when looking for the holographic image, since the viewing area is larger than the holographic plate and attracted in some way by the perceptual and expressive possibilities that the interactive concept of the chromaticism of the holographic image gives rise to.

The artistic use of colour in holography is a plastic and symbolic important resource. My intention is to discuss my artistic work and concepts, and to present some resources on the creation of image information, in the context of digital holograms.

The topics developed are focused on visual aspects such as light and colour, third and fourth dimensions, the space-time relationship, and representation issues; in order to explore concepts such as memory and identity, materiality and immateriality; gender issues; thought and action.