Eluding the aegis of science: art holography on its own

Sarah Radley Maline

doi:10.1117/12.57800

1 January 1992 Eluding the aegis of science: art holography on its own

Sarah Radley Maline

Proceedings Volume 1600, Intl Symp on Display Holography; (1992) https://doi.org/10.1117/12.57800
Event: International Symposium on Display Holography, 1991, Lake Forest, IL, United States

Abstract

The juxtaposition of art holography with commercial and science holography in exhibition has threatened to render their boundaries indistinct. Scientific and high-tech imagery hinders the medium's acceptance as art. Artists have turned to traditional modernist concerns to legitimize their place in an art context.

Citation Download Citation

Sarah Radley Maline "Eluding the aegis of science: art holography on its own", Proc. SPIE 1600, Intl Symp on Display Holography, (1 January 1992); https://doi.org/10.1117/12.57800

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